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Simone Bellotti Reworks Uniforms for Jil Sander Spring/Summer 2027

  • October 5, 2026
  • 2 minute read
A model wears grey tailoring with angular overlapping front panels and knee-length lower layers over purple tights
Look 35 interrupts grey tailoring with twisted, overlapping layers and an unexpected flash of purple. Photo: Filippo Fior / Gorunway.com.
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Simone Bellotti takes the uniform as the starting point for Jil Sander’s spring–summer 2027 collection, then begins to disturb its order. Tailoring supplies the initial discipline, but the familiar lines are gradually shifted, folded and interrupted. The interest lies in how much a garment can change while retaining a trace of the structure that gave it authority.

A model in a glossy black collarless coat with chest pockets, a buttoned front and an open lower panel, worn with pointed black shoes
Look 1 establishes the collection’s precise, uniform-like starting point. Photo: Filippo Fior / Gorunway.com.

That process develops through proportion. Folds twist around the body, layers pull in different directions and volumes expand even as other areas become more closely contained. The collection’s controlled foundation gives these adjustments their effect: a disruption is most visible when the viewer can still recognise what has been disrupted.

A model wears a pale blush dress with gathered folds through the body and an irregular, flowing hem
Pale folds and gathered fabric soften the controlled silhouette in Look 25. Photo: Filippo Fior / Gorunway.com.

Knitwear and dresses take the idea towards softness. Knits are crumpled, hemlines rise and pale dresses gather into shapes that stand away from the body. Their volume is deliberately at odds with the restraint associated with a uniform. Yet the manipulation remains precise, keeping the collection connected to tailoring even where its silhouettes appear less contained.

Colour introduces another interruption. Muted neutrals are punctuated by stronger accents, while Japanese landscape imagery is compressed and altered until it approaches abstraction. The print becomes another way of unsettling a calm surface, bringing a less predictable element into the collection’s visual rhythm.

A model wears a pale blue shirt above a short cream skirt with a broad folded upper edge, grey tights and pointed shoes
Look 41 offsets a familiar shirt with a folded, asymmetrical skirt. Photo: Filippo Fior / Gorunway.com.

Accessories follow the same argument. Pointed shoes stretch into elongated outlines; lace-up flats are softened in construction. Geometric bags are made to bend and collapse, with flashes of colour appearing as they open. The shape remains recognisable, but its expected firmness is no longer entirely dependable.

A model wears a khaki-toned coat gathered at the waist, opening over a bright pink textured panel and grey legwear
Look 55 brings a vivid pink interruption to a muted, layered look. Photo: Filippo Fior / Gorunway.com.

Bellotti’s approach keeps the collection in conversation with Jil Sander’s established language without treating that language as fixed. A uniform can be exacting without remaining unchanged. Through folds, gathering, shifting scale and a controlled use of colour, spring–summer 2027 explores the character that emerges when a familiar form is allowed to become less certain.

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