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Brioni La Donna Atelier Reworks Tailoring for 2027

  • October 11, 2026
  • 2 minute read
Model wearing a pale blue tailored jacket and matching trousers with an untucked white shirt.
Reflective blue tailoring brings light to Brioni’s Spring/Summer 2027 palette.
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A jacket can carry a house’s history while leaving room for its wearer. That is the central proposition of Brioni’s La Donna Atelier for Spring/Summer 2027: a women’s wardrobe built around the house’s Su Misura service, with choices that reach from the fabric to the lining, buttons and monogrammed details.

Presented during Milan Fashion Week in September 2026, the collection draws on a dialogue between Brioni’s men’s and women’s tailoring. Its interest lies in how those shared ideas are reshaped. Structure becomes lighter, proportions evolve, and familiar forms gain a different tactile character.

The lookbook makes that balance visible. A blue jacket sits over an untucked white shirt, its matching trousers cut generously through the leg. Elsewhere, a dark belted jacket defines the waist above pale trousers. The silhouettes leave the clothes room to fall naturally around the body.

A new surface for tailoring

The Jardigan is a telling example. Introduced as a men’s piece in 1955, the hybrid jacket returns within La Donna Atelier as a link to the house’s archive. Spring/Summer 2027 also marks Brioni’s debut of leather in womenswear: suede and nubuck enter the collection through a structured Jardigan and a safari-inspired jacket.

Those choices give tailoring another register. The collection’s emphasis on suede and nubuck brings texture to the discussion of cut, while the safari reference expands the vocabulary beyond the formal suit. The continuity comes from the construction and attention to detail that connect the men’s and women’s wardrobes.

Model wearing a dark brown belted jacket with a deep V neckline and pale trousers.
A belted jacket gives the relaxed silhouette a defined waist.

Colour drawn from Rome

Rome provides the collection’s colour reference. White and shades of blue sit alongside Roman red and orange accents; silks with a metallic effect add a more reflective surface. The palette allows the clothes to move between restraint and saturation without depending on a change in tailoring language.

The Su Misura proposition makes that range especially pertinent. Choosing a fabric or lining changes the personal character of a garment, even when its underlying form remains recognisably Brioni. Buttons and monograms bring the decision down to smaller details, allowing an established house style to become part of an individual wardrobe.

Full-length model wearing an orange long coat over a white blouse and wide pale trousers.
Orange adds a saturated note to the collection’s Rome-inspired colours.

The evening jacket, reconsidered

For evening, the collection turns to embroidery and crystal applications worked by Brioni Atelier’s tailors. A fully embroidered white jacket with a three-dimensional foliage motif is its most explicit expression of surface and structure working together. The decoration gives the tailored form depth and relief, making the jacket itself the focus of an evening look.

Close view of a model wearing a white collarless jacket with raised leaf-like embroidery and white trousers.
Raised foliage embroidery gives the white evening jacket a sculptural surface.

Across the collection, that is the productive tension: an archive supplies the starting point, while material, proportion and personal choices determine the final expression. La Donna Atelier places the wearer inside that process, with a wardrobe shaped through details she can make her own.

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