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Jimmy Choo Spring 2027 Reworks Loafers, Mary Janes and Mules

  • October 5, 2026
  • 2 minute read
A black-and-white spotted peep-toe mule with a turquoise-coloured bead cluster, displayed on an ochre plinth before black-and-white portraits
IZU pairs a printed latte nappa upper with a brooch of turquoise resin beads and crystal, balanced on an 85 mm heel. Courtesy of Jimmy Choo.
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Jimmy Choo’s spring 2027 collection develops a wardrobe through contrasts in scale, surface and decoration. Creative director Sandra Choi places jewelled details beside pared-back shapes, and familiar silhouettes beside unexpected materials. The collection’s title, Character Studies, suggests a range of personalities rather than a single prescribed look.

A life-size gold-toned figure in a tailored jacket holds a deep burgundy handbag aloft in the collection presentation
Life-size gold-toned figures embodied the shifting characters behind Jimmy Choo’s Spring 2027 presentation. Courtesy of Jimmy Choo.

The IZU mule makes that approach explicit. Its peep toe and 85mm heel provide a recognisable foundation, but an archival elaphê snakeskin pattern is translated into a monochrome print on latte nappa leather. A brooch of turquoise-coloured resin beads and crystal introduces another layer of contrast. The effect comes from combining a graphic surface with a deliberately emphatic ornament.

Close side view of a glossy black loafer with a contrasting cream panel and angular block heel, resting beside a textured ochre plinth
The ELLIS loafer elevates a familiar silhouette on a 65 mm block heel, with contrasting black-and-white naplak leather. Courtesy of Jimmy Choo.

The same print takes on a different character in EYLA, a slingback with a 45mm heel and a black, shortened toe. Decoration is not confined to high evening shoes: the floral corsage of the satin COKO design also appears on a lower EYLA in latte nappa. The design moves between silhouettes rather than defining a fixed occasion.

ELLIS approaches proportion from the other direction. Starting with a loafer, the collection offers both a flat version and a 65mm block heel. Black and white are set against the glossy, crinkled finish of naplak leather. BING is also reconsidered as a Mary Jane, where the relationship between a low-cut upper and an arch strap takes precedence over the sparkle associated with the original. Cherry-oxblood nappa and grey flannel give it distinct expressions.

A blue denim-effect mule with a fine studded floral motif and a curved black heel, displayed on an ochre plinth
ORIA combines the reshaped DROP heel with a denim-effect finish and a floral pattern traced in tiny studs. Courtesy of Jimmy Choo.

Bags extend the study. The CINCH TOP HANDLE translates the gathered character of the existing family into more discreet side details, with a flap fastening and a small scale intended for carrying by hand or cross-body. Cherry colour and a monochrome elaphê pattern connect it to the wider collection, while the CINCH CLUTCH is suspended from a faceted gold-tone chain.

A pair of ruby-red open-toe heels with ankle straps and large layered red-and-pale-pink floral corsages, viewed from above
COKO’s ruby-red and macaron-pink satin corsage turns the shoe into a study in floral volume. Courtesy of Jimmy Choo.

The ORIA mule adds another variation, enlarging the volume of the house’s Drop heel and tracing a floral motif across hazel nappa with tiny spherical studs. Elsewhere, leather carries a trompe-l’œil denim print. Across these changes, the collection’s most consistent idea is that a familiar form can acquire another personality through a precisely chosen detail.

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