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Sartoro Genève’s Three Approaches to Diamond Design

  • October 5, 2026
  • 2 minute read
Sartoro Genève Dualité chokers combining contrasting surface treatments around pear-shaped centres
Three Dualité chokers demonstrate the collection’s contrasting halves. Image: © www.charles-elie.com / Courtesy Sartoro Genève.
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Sartoro Genève approaches fine jewellery through recurring shapes: a trio of diamond cuts, a meeting of contrasting surfaces, a curve repeated until it becomes a flowing motif. Its Trilogie, Dualité and Ondes collections give those ideas distinct identities. Viewed together, they show how the arrangement of stones can determine the character of a jewel as strongly as its scale.

Sartoro Genève Trilogie Radiance Signature three-row ring worn on the hand
Trilogie’s Radiance Signature three-row ring brings the collection’s diamond shapes together. Image: © www.charles-elie.com / Courtesy Sartoro Genève.

Trilogie builds its design around brilliant, emerald and pear-cut diamonds. The rounded, stepped and tapering shapes establish a changing rhythm across the collection. In the Radiance Signature ring, three slender rows hold different diamond forms apart, allowing the spaces between them to become part of the design. The result has breadth on the hand while retaining an open structure.

Sartoro Genève Ondes openwork pendants on long chains worn down the back
Nested open curves distinguish the Ondes pendant designs. Image: © www.charles-elie.com / Courtesy Sartoro Genève.

Dualité places contrast at the centre of its composition. Two different halves meet around a pear-cut diamond, bringing variations in texture, gold work and stone setting into a single jewel. The collection’s chokers make that idea particularly clear: a smooth band or close-set surface runs into a more articulated, repeating pattern. The central pear shape marks the point where the two treatments join.

Ondes follows a more continuous line. Its pendants use nested, open curves, with stones tracing the contours rather than filling the entire surface. Worn on long chains, the elongated motifs give the collection a gentle downward movement. Repetition holds the composition together, from the smaller elements along a chain to the larger pendant below.

Loose stones held with tweezers over a Sartoro Trilogie design drawing
A Trilogie design study with loose stones positioned against the drawing. Image: Courtesy Sartoro Genève.

The design process is visible in the maison’s Trilogie imagery, where loose stones are positioned against a drawn arrangement. It is a useful counterpart to the finished jewels: the relationship between individual shapes is considered before the final setting is seen. Across these three collections, Sartoro’s strongest point of connection is that attention to proportion, giving each design a recognisable outline without relying on size alone.

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